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I am so gratified that this album has been reissued. I have seen her in concert and her presence and charisma are striking. In terms of her impact on world peace and non-violence, I put her in the same category as Martin Luther King and Ghandi. Could it possibly be nearly fifty years since I first heard this album. What bittersweet memories of the early sixties it brings back. No other performer has gone to as many far corners of the earth (and faced death threats in Brazil and Argentina) to promote peace and human rights. I was smitten with Joan Baez the minute I heard her impeccably pure voice and have been a life long fan ever since. She was performing barefoot long before Cesária Évora.
Very essential. .nearly every girl singer to come out of the 60s was inspired by Joan Baez and countless singers covered these songs after her. You won't know folk or what the fuss was about without this album.
But the truth is that her voice works better on some songs than others. But her lyrics are mediocre compared to the brillance of the original. Compare that to the terrible schlock that most teen-agers listen to nowadays.
But on the Appalachian tunes "Wildwood Flower" and "East Virginia" I much prefer the warm and rootsy Carter Family versions. I still consider this a worthy purchase for the English and Scottish ballads. I also admire Baez's gutsy willingness to offer a "female perspective" on "House Of the Rising Sun".
It's impressive that at only 19 years of age Joan had the capacity to appreciate the classic songs on this record. Joan's technically gifted soprano has a lofty and elegant tone that works well on songs like "Mary Hamilton" and "Henry Martin". But would encourage listeners to seek out other versions for the American folk and country songs.
So, yes, her song choice is outstanding and Baez no doubt played a role in bringing these great songs to a wider audience. I enjoy her singing more on the ballads, collected by Francis Child in the 19th century, that can be traced back to the British Isles.
I've recently heard Emmylou Harris' recording "How She Could Sing the Wildwood Flower." Baez' ".Flower" jolts me. The fact is that it's all here.
The woman is amazing. It's all intact at 19 years old.
I used to feel strongly along the lines of Mr. Baez' ballads lack for nothing.
Listen again. Kasten: "History's ear hasn't been kind." But as I listen to Joan on her 68th birthday, there is indeed something else going on here.
And also recently been listening to Sandy Denny.
She of course went on to become a singing superstar but this is the definitive Joan Baez for me. I had a copy of this when I was a young man back in the '60s.It was on vinyl of course and didn't survive the many playings I gave it. I believe it was done in a very unpretentious way highlighting an extremely talented young folk singer.
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